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Their vocal roles on the forthcoming double LP come into play heavily based on the new material played including a great one called “Hang.“ The Woodsist Fest stage barely had enough room for what totaled nine musicians in the band but credit Foxygen’s road manager Tim Smiley for his meticulous pre-show set-up and preparations. A trio of backing singers/dancers (including Rado’s girlfriend Jaclyn Cohen) added a legitimate non-frivolous sound/visual dimension. But his pairing with the frenetic France really works when it’s on like it was under the redwoods. He’s the ringleader and the backbone of the band. People in the audience were shaking their heads after it was over. On the band’s most well-known number “San Francisco,” France mimicked the movement of a toy soldier – as if to say he wanted to move on from an old hit, old news. France pranced into the audience several times for dance-offs with the aforementioned cluster of hip-shaking fans and exerted maximum energy throughout.
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Unlike the show I saw Foxygen play in New York late last year, France was clearly at full strength – able to deliver the kind of showmanship you see in person only a few times in a lifetime if you’re lucky. France was part-Jagger, part-Morrison for this one. But then I saw what I saw from Foxygen last Wednesday and I need to recant that position. At the time, I believed Rado might have been better off going it alone given the strength of his solo effort on Woodsist – not to mention outtakes from that record and a subsequent Bandcamp release of him covering McCartney’s self-titled debut. His pinch-hit in that spot won him huge respect. Foxygen’s Jonathan Rado admirably agreed to fill that hole with a superb, band-backed performance of solo material. A year ago, Foxygen pulled out of its Woodsist Fest slot after France suffered a broken leg. There was palpable buzz running through the grounds in the half-hour or so before Foxygen’s Sam France careened onto the stage for the full band’s set on day two. We got a great rendition of Paranoid Bait as the sun went down and a cluster of young dancers up front made what would make the start of a continuing and refreshing presence at the Fest with their outward show of enthusiasm which is always a question mark at this event. Nick Murray was awesome on drums and of course Tim Presley IS White Fence. I had been unaware of the possibility he’d be at Woodsist Fest.
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Wearing a patch on his jacket that said “Stop Sales Tax,” Segall contributed backing guitar lines and some keys. White Fence was the best I’ve seen them, executing with perfection several numbers from For Recently Found Innocent with help from the great Ty Segall who’s appearing with the band on selective dates. Five great acts spanning seven-plus hours each day. You’ve got a great life,” he said.Īnd so it went. Between selections from their great new release on Woodsist, Quinn’s Leopards bandmate Glenn Donaldson gazed into an audience limited to about 350.
It was Tuesday, August 5 and the Skygreen Leopards were underway after front man Donovan Quinn had finally worked through a contentious, on-the-spot sound check. The air was pleasurable, filled with good smells from the venerable forest and nearby mighty Pacific Ocean. As we entered, a guy in a van parked on Highway 1 played The Babies. When Jeff D and I laid our blankets down on arid ground for day 1, the sun was shining bright above. Like the previous two Fests, this one (themed “Do it”) offered many magical, memorable moments and surprises in the most beautiful of settings imaginable. It was the third consecutive year I made it way out west to the Henry Miller Library in Big Sur, CA for the two-day music festival curated by Jeremy Earl of Woods.